AWOL
Acting Workshop On-Line


ACTING
AWOL's FREE Guide to Making Money in the Business

Chapters: One   Two   Three   Four   Five   Six   Seven   Eight   Nine

Appendices



Search Resources and
Info for Actors


Web AWOL
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Scam info

Acting and modeling scams are easy to avoid. Just follow these basic guidelines:

  1. Scammers want your money and they want it now.
    Let me repeat that. Scammers want your money and they want it now. Your money is their primary concern. They will do and say whatever they can to get you to pay them money - right away. They will lie. They will lie. They will lie. They will tell you everything you want to hear. But it will all be lies. What they want is your money. They do not care about you. They want your money.
  2. Model searches that require registration fees are scams.
  3. Talent searches that require registration fees are scams.
  4. Model and talent conventions are scams.
  5. Anyone who wants you to pay them money before you do any modeling or acting work is a scammer.
  6. Anyone who promises you acting or modeling work on condition that you pay them money in advance is a scammer.
  7. If it seems like a lot of money to pay, it is and you should not pay it. It is a scam.
  8. Agents and managers get paid by collecting commissions from your pay AFTER you have completed a job. If they ask you for cash they are scammers.
  9. Agents or managers who charge fees for any kind of services (photos, résumés, internet listings, book listings, hair or make-up stylists, etc). are scammers.
  10. Photo sessions should not cost more than a few hundred dollars. Anyone charging more than that is a scammer.

What should you do if you are confronted by one of the above situations? Stop dealing with that person and company. IMMEDIATELY!!! Leave. Grab your checkbook, credit card, wallet or purse and get out!!!

Sometimes, new or inexperienced agents will place ads seeking models and actors in newspapers and magazines to attract talent to represent. Agencies will also advertise in local papers when they are hired by producers to find extras and other cast members for films being shot outside of Hollywood.

BEWARE! Scam artists and dangerous people place fake ads for models and actors in newspapers and magazines. Such nasty people are seeking naive, unsuspecting victims to take money from, sexually molest or even do bodily harm to. (YES THIS HAPPENS!!! BELIEVE IT!)

How can you tell the difference? There are no guarantees, however there are some warning signals you can watch for that will tell you to "GET OUT NOW!"

  • If the person you are to meet wants to meet you in a motel room or hotel room, (no matter how nice the hotel or motel) especially at night - DON'T GO!
  • If the person asks you intimate, embarassing, or inappropriate questions - GET OUT!
  • If the person asks you to remove any clothing - GET OUT!
  • If the person says nudity is required and this was not listed in the ad - GET OUT!
  • If the person is unkempt, smelly or acts strange - GET OUT!
  • If you go to an office and you don't see any office people or the office people don't look busy, the phones are not ringing or you don't see other indications that this is a busy agency - this might not be the agent for you.
  • If the person starts asking you for money up front or starts pressuring you to pay for classes or photo packages - LEAVE. Agents get paid by commissions on work you perform (10%-20%). In some states, it is illegal for agents to offer other services for fees.
  • If the person gushes about how georgeous you are, or that you have the perfect look, or that you are unquestionably star material, or other such extreme flattery - and then asks you to pay for their classes, photo services, etc. - LEAVE!
  • If the person takes the opposite approach, telling you that you don't have what it takes, or almost have what it takes, but they can help you to succeed and then asks you to pay for their classes, photo services, etc. - LEAVE!

There are a lot of scams and scammers out there. If something doesn't seem right - it's probably not. If things seem too good to be true - they're probably not true.

You have lost nothing by walking away from a questionable situation. You have gained nothing by being represented by an incompetent, lazy, unqualified agent. You will lose a lot by being represented by an incompetent, lazy, unqualified agent. Take your time finding an agent. It is not a desperate act by a desperate actor. It is a business decision and a life decision. It is your future career and earnings. It is your time and energy. These things are valuable. Too valuable to waste on someone trying to pressure you into a bad deal. Too valuable to waste on careless judgement. Take time to think about an offer. Don't be pressured to sign anything until you have walked away for a while and thought about it.


Model/Talent Search Scams

Model/talent searches are a terrible way to try to get into the modeling or acting business. They are expensive and yield little of value. They are scams. They are scams because MOST (almost all) of the people who attend such events receive little of any real value for their money. A few workshops, a quick walk on a runway and a "chance" to be seen by "agents" is hardly worth the many hundreds or thousands of dollars these ridiculous model/talent searches charge.

All legitimate model agencies hold open calls at their offices. Legitimate agents DO NOT CHARGE A FEE for this!!! Just call the agencies and ask about their procedures.

All legitimate talent agencies will look at the photos, résumés and videos/cds actors mail to the agency office. Legitimate agents DO NOT CHARGE A FEE for this!!!

The people who organize model/talent searches are fully aware that over 95% of those who attend will not be "chosen". They are fully aware that of those who are "chosen", only a few, if any, will actually gain any significant work on any regular basis.

The people who organize these searches take in hundreds of thousands of dollars in fees. Almost all the people who attend receive little of any value toward a professional modeling or acting career. That is the scam.

The information you provide to the "professional scout" (usually someone who knows little if anything about the modeling business) at the model/talent search "open call" was likely sold to modeling schools, photographers or anyone else interested in selling services. The "scouts" are trained to get as many people to pay to attend the search as possible - whether the attendees shows any merit or not. The scouts use a lot of flattery and misleading statements to accomplish this goal.

The agents who are at the search are paid a sizable fee to attend. Many of the "agents" are not really agents. They are agent assistants or other people who have no decision making authority to actually sign an attendee. Often times, the staff of these searches and even the "agents" use the open calls and the search convention to find cute women and men to "date" (have sex with). This will not advance anyone's chances of launching a modeling career. It just makes fools out of the attendees.

The organizers usually require agents to "callback" a certain number of candidates, whether they are interested in all the candidates or not. A callback does not mean you have been "choosen" or are on your way to a career. It simply means that the "agent" wants to talk to you again. Most attendees who are called back do not ultimately receive any representation.

There are far-far better, less costly and more productive ways to get into the modeling and acting business. I suggest you head to the library or spend $20 or $30 at your local bookstore and get a book or two about the modeling and acting business so you can learn something about how things really work. It is far, far cheaper than wasting money on silly model/talent searches.

Never, never pay money upfront for anything!

Sounds simple, doesn't it. If people actually followed this simple guideline, they would save themselves thousands of dollars and put acting and modeling scammers out of business. However, it seems the allure of earning "big money" as an actor or model fogs many peoples' brains and impairs their otherwise good judgement. So I will clarify the above basic rule with some specific things to NEVER DO...

  • Never, never pay an agent or manager any upfront money!

    If an agent or manager asks you to pay them money for "expenses" or "headshot and résumé reproductions" or "mailing expenses" or anything else, it is time to turn around, leave the office and don't go back. Agents earn their income from commissions on the income you earn when you perform acting work. The specifics of what kind of work and what earnings are commissionable should be detailed in a contractual agreement between you and the agent. The agent's office and other expenses come out of the commissions they earn - not from upfront fees they might try to collect from naive, ignorant actors.

    The only exception to the never pay upfront fees rule are "registration" fees charged to applicants by agencies that handle primarily background (extra) work. This fee should be small, no more than $20-$30. Anything more than that approaches the scammy side and those agencies should be avoided. Agents who handle background actors are paid by the producers of a show for extras provided. Commissions are not paid by actors to agents for extra work.

    As an aside, if you respond to an "audition" notice in a newspaper or TV ad, and find the "audition" is attended be several hundred people, and you are asked to pay a "fee" to register to be an extra in case you do not get a bigger part - or for future productions - save your money and get outta there. It's a scam. There are no other exceptions to the never, never pay an agent or manager any upfront money rule.

  • Never, never pay anyone for SAG vouchers!

    One way to qualify to join SAG (Screen Actors' Guild) is to perfom as an extra on union productions. There are specific rules as to what circumstances an extra can earn "vouchers" for such work. When an actor has earned enough vouchers, they qualify to join the guild. There are unscrupulous people who counterfit SAG vouchers or manage to get ahold of real vouchers and sell them to naive actors eager to qualify to join SAG. Do not buy SAG vouchers from anyone!!! If the actor is caught trying to join the union by presenting the union with vouchers for work the actor did not do, the union will not allow the actor to join, revoke their membership if the actor already was allowed to join and will likely bar the actor from ever joining the union. Not a good position for an aspiring actor to be in. SAG will soon change the voucher program.

  • Never, never pay to audition!

    Anyone who attempts to charge any kind of fee to actors who hope to audition for an agent, manager, casting director or production, are scammers and you should leave immediately. The only exdception are the fees charged by the various regional theatre auditions. See AWOL's List of Regional, Combined Theatre Auditions section in these appendices.

  • Never, ever give out your social security number, bank account number, checking account number or credit card number at an audition.

    If anyone asks you for any of these numbers at an audition, leave immediately. They are scammers.

  • Never, never pay union dues to anyone except the union!

    If anyone who claims to be casting for a project asks you to pay any money for "union dues", leave immediately. They are scammers.

  • Never, never pay any money to anyone who claims they will charge no fees!

    Anyone who advertises that no fees will be charged is immediately suspect and should be dismissed out-of-hand as operating unethically? Why? Because it is a given that no fees will ever be charged. Anyone who advertises "NO FEES" is using it as a come-on to sucker naive, desperate, new-comers into responding to their spurious advertisement. Stay away from these people. What they really intend is to sell you photo services, classes, convention registration or any number of other expensive products or services. Leave immediately! Do not listen to their sales pitch - no matter what they say. LEAVE!!!

  • Never, never pay any money to anyone to "evaluate your potential!"

    Anyone who takes money to "evaluate your potential" is scamming you. They are taking advantage of naive, desperate acting and modeling wannabees. Potential? Potential for what? For becoming a star? Noone can confidently assess such a thing. It is foolish to give any credence to anyone who claims they can evaluate your "potential." It is possible for someone to evaluate your current level of acting skills and mastery of the fundamentals - but you don't have to pay anyone to do such an evaluation for you. A much truer and far more accurate gauge of your "potential" is a live audience. Find an audition - Go to it - Get parts and Perform in front of live audiences.

  • Never, never pay any money to anyone to get you "industry ready!"

    "Industry Ready" is one of those silly terms scammers invent to intimidate naive, desperate, wannabees. Their intent is to make you feel you are somehow inadequate and that they can give you what you need to make the grade - if you pay them their ridiculous fee. When you hear someone using phrases like "industry ready" that are then attached to the payment of a fee, leave immediately!

  • Never, never pay any money to an agent or agency that requires you to take their classes before they will represent you!

    This is a scam. They are much, much more interested in taking your class fees than in representing you. These agencies - if they actually turn out to really be agencies - are the bottom-feeders of the industry. Stay away from them - and don't take their over-priced classes.

  • Never, never pay any money to an agent or agency who requires you have expensive photos taken by specific photograpghers as a condition to be represented.

    This is a scam. They are much, much more interested in collecting their photo fees or photographer kick-backs than in representing you. These agencies - if they actually turn out to really be agencies - are the bottom-feeders of the industry. Stay away from them.


Photography Scams

Photographs are a basic tool most actors include in the information package they provide to casting people when seeking representation and professional work. They are also a common source of scams that unscrupulous agents, managers, photographers and criminals use to fleece actors out of hundreds and thousands of dollars. One of the most common scams is perpetrated by agents and photographers who work together to take an actor's money. This is how the scam works:

An agent interviews an actor, and agrees to represent the actor, but first the actor must get pictures taken by a specific photographer. The agent may charge the actor a photography "fee", or receive a monetary "kickback" from the photographer for sending the actor to the photographer, or both. The cost of these pictures is frequently far higher than normal for the area. The quality of the photos for casting purposes is usually inferior and useless for the intended purpose. This scam is also perpetrated by unscrupulous "managers", "management" companies and acting/modeling schools.

In some states it is illegal for an agent to require that photos be taken by specific photographers. It is unethical for an agent, manager, management company or school to charge a photography fee or receive monetary compensation for "referring" actors to specific photographers. If you are seeking representation by an agent or the services of a manager, management company or school who pressures you to get pictures taken by a specific photographer, you should leave their office ASAP and cross that agent, manager, management company or school off your list of professional service providers - no matter what they tell you.

Ethical agents usually have a list of several photographers whose work they feel works well for actors. They will provide this list for you so you can meet with and interview these photographers, and if you wish, have your photos taken by one of them. They will also be open to any other photographer you may decide to use. If you are considering a photographer who's work your agent is unfamiliar with, you might show samples of the photographer's work to your agent and discuss the pros and cons of the their work with your agent.

Another scam is perpetrated by the photographer. Unscrupulous photographers may attempt to persuade eager, naive women and men to engage in pornographic photo sessions. If a photographer begins to suggest you could make "big money" by removing your clothing, get out immediately!!! Some unscrupulous photographers may attempt to persuade eager, naive women and men to become "escorts". Although this might sound like a fairly easy, innocent way to earn income, escort services, especially those that use photographers to recruit escorts are frequently fronts for prostitution. If a photographer makes such a suggestion to you, leave immediately!!!

Another photo scam involves photographs of children. Children do not need professional photos taken. Children grow and change their appearance regularly. Agents and casting directors do not look for slick, professional photos of children to arrive on their desk. A great, expressive polaroid is all they need. Any agent, manager, management company, school or photographer who pressures you to get expensive photos of your child done should be quickly avoided.

Photography scams are frequently perpetrated at talent/model conventions. Participants at these silly conventions are pressured to purchase expensive photo packages, sometimes for well over a thousand dollars. This is a scam - along with the many other scams perpetrated at talent/model conventions. Do not paticipate in talent/model conventions.

A photo session, proofs, consultation and high-quality prints for reproduction by a printer should not cost more than a few hundred dollars. Any photographer charging in excess of $400 or so should be avoided.


Fashionably Aware: The Consumer Guide To Modeling And Talent Agencies
(Information provided by the New York City
Department of Consumer Affairs)

With fortunes to gain, and dreams to lose, both prospective models and actors must navigate cautiously into the sometime treacherous sea of managers and agencies. Unfortunately, many unsuspecting consumers are fleeced out of hundreds and thousands of dollars by unscrupulous operators posing as agents and managers who promise job placements after charging high fees for photographic or other incidental services.

The best defense against scam artists who prey on models and actors is always an educated consumer who keeps their feet on the ground while they reach for the stars.

The information below provides critical advice to prospective models and actors, including tips on finding a reputable agent, getting photographs and portfolios, and choosing a modeling and acting school.

So, You Wanna Get In The Biz. You're young, fit, attractive and ready to set the modeling and entertainment industries ablaze. And to further show commitment to your calling, you are willing to make a substantial investment to further your career. You are, indeed, a much sought after commodity. Yet you are by no means alone.

The modeling and entertainment industries are highly competitive, with a tremendous number of people trying for the same precious few "big breaks." Everyday scores and scores of would-be models and actors set out to chase their dreams. Far too often these dreams turn into nightmares as hopefuls get involved in dubious deals with modeling and talent-agency scam artists. Many aspiring models and actors have ended up lining the pockets of disreputable agents, while emptying their own.

According to the Better Business Bureau, modeling agency scams are a fastest growing category of scams. The typical scam involves an agency promising modeling jobs to prospective clients, but requiring the individual to purchase a costly portfolio as a necessary precondition for gaining employment. Of course the "right" photographer just happens to be affiliated with the agency, without the knowledge of the model. In the end, the aspiring model is often left with a much lighter wallet and a heavy, useless portfolio.

Simply put, legitimate model and/or talent managers do not require or request upfront fees. In fact, legitimate model/talent managers will invest money in the hopeful model/actor with hopes of recouping their investment in the future.

To avoid being ripped off, aspiring models should look for and attend "open calls" at reputable modeling agencies. Well-known agencies usually have open calls on a weekly basis. Aspiring models should also avoid agents who: require upfront service fees; require photographs by a specific photographer; advertise in newspapers, or on buses and subways.

Before you start chasing your dreams, it is also very important to understand the difference between modeling/talent agencies and modeling/talent managers. By definition, a modeling/talent agency is anyone who attempts to secure employment for modeling, theater, film, radio, or television work, but does not include the management of the client's business affairs. Fees for the agency's services are limited to 10% by law in many states. Furthermore, in most states, modeling/talent agencies must be licensed and bonded. A licensed agency is required to prominently display its license.

Model/talent managers differ from agencies because managers are in the business of overseeing the careers of their clients. Arranging for employment is only an incidental, or minor, part of the working relationship between manager and client. Thus, managers advise their clients on appearance, style, portfolio layout and direction of their career. Managers generally charge fees ranging from 15% to 20%.

Managers and agents are not in the business of selling photographs to their clients. If a manager or agent spends more time trying to get you to buy photographs than trying to get to know you, your talent, and your career objectives, go elsewhere.

The remaining sections of this guide will provide you with important information that you should consider as you begin to carve out your career.

Typical Scams By Unscrupulous Agencies
Unscrupulous talent and model agencies often use these baits to reel in new "talent"

  • Making inflated promises of getting jobs for you.
  • Pressuring you to make and buy expensive sets of composite cards and/or portfolios made by a photographer on the premises or secretly affiliated with the agency.,
  • Failing to tell you beforehand the full costs of photos and other services.
  • Pressuring you to pay with a credit card or an ATM card.
  • Not disclosing the financial connection between the agents and the photographers.
  • Mailing out "You have been selected" letters falsely claiming you are receiving special treatment.
  • Making false claims about the success of the agency's "Print Books," the publications which contain listings and photos of models and actors.
  • Telling you the "real people" look is the "in" thing now and that "you have that look."

Tips On Finding A Reputable Agent

  • Check whether an agency is licensed by calling your state's Consumer Affairs department. An agency should have its license posted in the reception area.
  • Do not use an agent/manager who requests upfront fees for photo shoots or any other type of service. Upfront fees are illegal. If a photographer appears to be in cahoots with a modeling agency, take your business elsewhere.
  • Do not believe promises of work. If a prospective agent tells you he or she can book you for a particular film, video or modeling assignment, beware. Unless an agent is unusually powerful in the business, the most that agent can do is send you on auditions and put in a good word on your behalf.
  • Beware of agents who solicit you over the phone or in person. If someone approaches you on the street, take that person's business card and check to see if he or she is licensed - if not, forget it.
  • Make sure a prospective agent takes the commitment seriously before you put your career in the agent's hands. Agents who say they will represent aspiring actors without first seeing their work - even a simple script reading in their office - are not legitimate.
  • Ask around before you sign with anyone to find out whether the person/agency has a good reputation in the business. Try to get references from others whom the agent or manager has represented in the past.
  • Few people enrolled at modeling schools, or signed up by scam agencies, know about "open calls" at modeling agencies. At least once a week, model managers and agents have an open call - a period of time when they look over people off the street who want to know if they have a chance. Open calls are great places to start, because you will get free evaluations by experienced agents. Prospective models are required to bring a few snapshots with them to open calls.
  • Talent agencies are listed free in publications like Backstage magazine, Ross Reports, Madison Avenue Handbook, and the New York City Model Agency Directory.
  • Do not respond to subway, bus or classified ads that promise modeling and acting jobs to people with no experience, or of all ages and sizes, etc. They are come-ons.

Tips On Getting Pictures And Portfolios

  • Before actually looking for work, aspiring models and actors need professional test shots. No reputable modeling or talent agency will charge you for test shots. The agency may recommend a photographer, but you should be under no obligation to work with any particular person.
  • Get the names of several photographers and review their work before choosing one. If an agent strongly pushes you to work with a particular person, be wary. Make sure the person's work actually meets industry standards by checking with the Screen Actors Guild (SAG), or other reputable fashion or entertainment sources.
  • Adults starting out should not waste money on shots specifically geared towards building up a portfolio. Portfolios are built over time, as you get jobs.
  • Children up to age 5 or 6 change so rapidly that current polaroids or other shots are usually sufficient. A series of expensive photos is a waste of money.

Tips On "Print Books" And Videos

  • If you want your pictures and résumé in a print book, do some investigating first. Find out who gets the book, then call them to see how much they actually use it. Ask the publishers how they market the book, and if they have working relationships with agents and casting directors. Try to get their names and do the fact checking yourself.
  • In particular, if the models in a print book don't look too promising to you, use your own judgment about its legitimacy. It's better to stay clear of a dubious "opportunity" that might end up costing you money.
  • If you want to put your work on videotape, hire an experienced videographer, preferably one who specializes in taping actors' scenes and monologues. Always view samples of their work before you hire them.

Tips On Modeling And Acting Schools

  • Modeling schools do not transform people into models. While the schools can teach you how to dress, walk and apply make-up, there are very strict criteria for modeling, especially in high fashion.
  • Decide what you want from a school before you make a decision that can cost you hundreds, if not thousands, of dollars. Some schools will accept all applicants, regardless of their real chance of making a career in the business. Others are more discerning and will be honest about your chances, given your talent, measurements and looks. Still others won't take you unless they believe you really have the potential to work in the business.
  • Whether you are looking for an acting coach or teacher or a modeling school, talk to former and current students, audit classes and try to interview the prospective teacher first. If you can't meet the teacher personally, check out his or her résumé - before you sign up.

Tips On Job Interviews

  • Where there's smoke, there's usually fire. If you are ever asked to go on an interview at a residence, or if you have any odd feelings about the legitimacy of an interview, stop immediately. Feel free to bring a relative or friend along on interviews, a common practice that is not considered unprofessional.
  • If you are sent on an upsetting interview, immediately tell your agent and your union, if you are a member of one. If your allegations are serious enough, your agent may avoid work with that client in the future or at least spare you from having to deal with the client again.
  • Whenever discussing a contractual relationship, the number one rule to follow is: Get it in writing. Never rely on a verbal agreement, even with someone you trust.
  • Keep a copy of whatever is signed, even if it's a simple note or application form. Never be pressured into signing anything without thoroughly considering the deal. If you are refused a copy of the contract - or the copy machine is "broken" - do not give them any money.

What Parents Should Know

  • Be wary of solicitations in the mail offering to represent your child for modeling and acting, or seminars to view your child. If you are asked to pay hundreds of dollars for photographic services, run, don't walk, the other way. Kids, generally do not need professional shots until they are at least five years old.
  • Before you sign a contract, call or write your state's Department of Consumer Affairs and the Better Business Bureau to check on a company's complaint record and licensing status.
  • Read all contracts carefully before signing.
  • Do not give any personal information to anyone who approaches you and says they want to make your child a star. Instead, take his or her business card and do some fact checking before calling them.

The Screen Test Scam

  • If you respond to an ad you saw in the paper, in a magazine, on the TV, on the radio, on a billboard ad, on a bus ad, in a mailing or any other media source and you are asked (or pressured) into paying a fee for a "screen test" and an "objective" evaluation to determine if you or your child has what it takes to become an actor or model, DON'T DO IT!!!!
  • Such "screen tests" and "evaluations" are scams. They are a complete waste of money and time. If you do decide to pay the fee, you will be manipulated into paying more fees for more "services" of little to no value. You will not obtain any significant agency representation or any significant acting or modeling work as a result of the screen test, evaluation or any other over-priced services you are sold.
  • It is simply the wrong way to go about seeking representation and getting acting or modeling work - no matter what claims the scammers make.

Regional, Combined Theatre Auditions

Add a regional audition listing or change your current listing.

Looking for work in summer-stock productions, touring productions, Renaissance fairs, non-equity and equity theatres, Shakespeare festivals, theme parks, dinner theatre and outdoor dramas?

Planning to enroll in a graduate level college theatre program?

Want to audition for dozens of producers at one time? Want a rare opportunity to meet lots of producers and directors in the business? Make contacts? Get yourself known?

These regional, combined auditions are a low-cost way to do exactly that. Every year, in February or March, each of these combined auditions are attended by dozens of producers who are looking for talented actors and actresses to perform in live, summertime productions. Some offer year-round positions, school touring, apprentice and intern positions as well. Graduate school programs use many of these auditions to enroll students.

Many of the organizations offer, for a small fee, a variety of workshops in addition to auditions. These workshops can be attended by those who audition and those who do not audition.

Send a self-addressed, stamped envelope to the the organizations that interests you. Request information about their auditions and an application. Since the auditions generally occur in February and March, write for information and applications in early December.

The regional auditions listed below are not for beginners new to the stage . They are for experienced, talented, skilled performers. Most (not all) require that you be at least 18 years old to apply and be available to work all summer long. Almost all are open to non-Equity as-well-as Equity performers. There are always many more applicants then audition spots available. APPLY EARLY!!! These are extremely competitive auditions. Applicants are screened. Many don't get in!


Atlanta Coalition of Performing Arts Unified Auditions

Unified auditions c/o Atlanta Performs
173 14th St. NE
Atlanta, GA 30309
Ph: 404-873-1185
http://www.atlantaperforms.com

Registration Fee: Approx. $35
Application Deadline: Mid January
Audition Date: LateMarch

The Unified Auditions are annual professional auditions which allow Equity and qualifying non-Equity performers, 18 years & older, to audition before approximately 60 Atlanta area & regional theatre companies. The Unified Auditions is a program of the Atlanta Coalition of Performing Arts, in support of its membership and the greater Atlanta, Georgia performing arts industry.

The Unified Auditions are open to Equity and Non-Equity performers 18 years and older who meet minimum résumé criteria. See applications for full Eligibility Requirements for each category. Audition slots for eligible Non-Equity and Recent College/University Graduates will be assigned based on a lottery system. Once all Non-Equity audition slots are assigned, alternates will be selected from the pool of qualified candidates. Alternates are not assigned audition slots, but are chosen to fill slots as they become available by way of cancellation or no-show. In past years, all alternates who attended the auditions were seen.

All applicants are required to submit one copy of their current headshot and résumé along with the application. Recent College/Graduates are required to submit application with signature recommendation from their College/University Department Head. Equity performers applying for an Equity slot, are required to submit a copy of their current (valid) AEA card in addition to the headshot/résumé application. (note: Equity Membership Candidates- EMC do not qualify as card-carrying AEA members for these auditions).

Acceptance letters will be mailed in mid-February. Performers assigned an audition slot will need to have approximately 60 copies of their headshot with attached résumé ready for final submission by early March. Format requirements for résumés are outlined in the application. Final number of headshots required and deadlines are subject to change.


Baltimore Theatre Alliance

BTA's open area-wide auditions are held annually for the region's theater artists and organizations. Over 200 actors from numerous states audition for over 25 producing organizations.

Contact BTA for information:

Mailing Address: P.O. Box 5982 Baltimore, MD 21282-5982
Physical Address: 100 E. 23rd Street
Baltimore, MD
Phone/Fax: 410-662-9945
Email: info@baltimoreperforms.org
www.baltimoreperforms.org


Boston Area Combined Stagesource Annual Auditions

Massachusetts, Boston

The annual Boston-area StageSource auditions are held in June.

Stage Source, The Greater Boston Theatre Alliance, provides leadership and services to advance the art of theatre in the greater Boston region.

Over 50 theatre companies, casting directors, and film producers from Boston and the surrounding New England area are expected to attend this event to see over 400 auditioners in four days.

No participation or attendance fee required, but donations are requested and membership in Stage Source ($110) is required for non-Equity performers.

Union and nonunion actors who sing/dance.

Registration deadline is end of April.

Late applications will only be processed if audition slots are still available.

To learn more about the annual auditions call 617/720-6066; or email to dsimmons@stagesource.org or visit www.stagesource.org, where you can sign up for membership and download audition application forms.

The StageSource non-Equity auditions are open to StageSource members only. However, Equity auditions are open to all Equity actors regardless of StageSource status.

Auditioners are encouraged to bring 65 copies of their pix & r sum s. Participants wishing to sing are welcome to sign up with the StageSource provided accompanist or bring their own.


Florida Professional Theatres Association

http://www.fpta.net

When: Early spring

FPTA's Annual Professional Statewide Auditions and Workshops.Ê Updated information on FPTA Auditions will be available in March: http://www.fpta.net

You must be at least 18-years-old to register for the workshops and statewide auditions.Ê Exception:ÊÊ If you are under 18 and have professional acting credit (past or current work with professional theatre companies), you may audition and participate in the acting workshops.

These auditions and workshops are organized for professional Equity AND Non-Equity actors.Ê If you're Non-Equity, please make sure these auditions fit your professional career goals.

You must be available to work as a professional actor at one or more of the professional companies participating throughout the state.Ê So, if you are seriously pursuing a professional acting career, then we encourage you to register and audition.

If you are not actively pursuing a professional acting career, we encourage you to participate in the workshops we conduct throughout the weekend to add to your experience and training and to audition for the wonderful community theatres located throughout our state.Ê

And when you have more acting experience and decide to actively pursue a professional career in acting, then, please plan to register for these professional statewide auditions in the future.


Texas - Dallas/Fort Worth

http://dfwtheater.com

When: Early spring

Dozens of theaters gather to see nearly 200 actors over a single weekend. It is a great way to get into the files of many theaters at once. For producers, there is no better way to get a broad look at the current talent pool.

Generals are open to all area actors. Kids are welcome, but they must be accompnied by an adult. Parents, please use your judgment when deciding if your child is ready. They will go into the audition alone. They need to be able and available to rehearse and perform in a play.

Coming to Generals is a way to get in front of lots of theaters at once. Introduce yourself to the many new theaters that have opened, and remind the established theaters that you are here.

Especially if you are new in town, or moved and theaters have old contact info for you, or are known for playing a particular type of role, and want to show them other things you can do... come audition! Unless you already have more acting offers than you can handle, Generals can help.

The attending theaters are looking for Equity and Non-Equity actors. You will have two minutes maximum. You may use your time however you like. Common choices are to do two very short contrasting selections, or one longer piece. Singing actors will have four minutes to perform a monologue and sing.


Illinois Theatre Association

1225 W. Belmont Ave.
Chicago, IL 60657-3205
Ph: 773-929-7288, Ext. 18 & 19
Fx: 773-327-1404
http://www.iltheassoc.org

Registration Fee: Approx. $30
Application Deadline: Mid February
Audition Date: Early March

Open to: Students enrolled in Illinois college/university programs, college/university students who intend to move to Chicago, non-professional members of an Illinois community theatre and freelance, non-union actors.

Applicants will first audition at a Preliminary Screening Audition . Screening evaluations will be done by a committee of professional actors and directors and representatives from the League of Chicago Theatres and the Illinois Theatre Association.

Approx. 60 individuals will be selected for the final Callback Auditions (held a day after the preliminaries). Attending the Callbacks will be representatives of Chicago and national casting agents, resident theatres, summer stock companies and academic assistantship programs.


Indiana Theatre Association

c/o Clowes Hall, Butler University Theatre
4600 Sunset Ave.
Indianapolis, IN 46208-3443
317-940-9666
fax: 317-940-6549
e-mail: intheatre@netdirect.net
http://www.intheatre.org

Deadline: Mid February
Audition Date: Late February
Fee: Approx. $20

For actors seeking summer and year-round, paid acting positions.

For union and Non-union. Non-union applicants and applicants with little professional experience must be recommended by a professional director or a director working in academia.

Send: Your completed application with your photo and fee.


League of Washington DC Area Theatres

The List of Auditors, containing contact and season information for the auditors that registered for the auditions, is available from the League of Washington Theatres for $2.00 plus a self-addressed stamped envelope. Please send check, payable to "League of Washington Theatres" and envelope to:

League of Washington Theatres
P.O. Box 21645
Washington, DC 20009-1645

Audition Date: June

For more info:
Ph: 202-638-4270
Fx: 202-638-1220
E-mail: info@lowt.org
www.lowt.org/lowt.html


Midwest Theatre Auditions

Webster University
470 East Lockwood
St. Louis, MO 63119-3194
Ph: 314-968-6937
FX: 314-963-6048
http://www.webster.edu/depts/finearts/theatre
e-mail: mwta@webster.edu

Application Deadline: Mid December
Audition Date: Mid February
Fee: Approx. $30

Auditions are for Equity and non-equity performers looking for paid positions in Summer stock theatres, outdoor dramas, Shakespeare festivals, year-round theatres, college and professional training programs and internships.

Although there are over 450 audition slots available, audition slots are limited and are assigned on a first come basis. All applicants do not get a slot so apply ASAP!!!


National Dinner Theatre Association

PO Box 726
Marshall, MI 49068
Ph: 616-781-7859
Fx: 616-781-4880
http://www.ndta.com

Application Deadline: Early March
Audition Date: Mid March
Auditions held in Chicago area
Fee: $25

You must be at least 18 years old to apply.


New England Theatre Conference

New England Theatre Conference, Inc.
215 Knob Hill Drive
Hamden, CT 06518
(617) 851-8535
Fax: (203) 288-5938
mail@netconline.org
http://www.netconline.org

Application Deadline: Late January
Audition dates: Mid March
Fee: Approx. $25.00-$45.00

Open to non-equity performers and college students. NOT open to Equity members, high school students or anyone under 18 years old. All applicants become NETC members - fee is non-refundable . However, applicants who are not selected for an audition slot will have their application/résumé information forwarded to the casting people who do hire directly from the applications.

70 or so producers, talent agents and representatives from training institutes will audition pre-screened applicants in acting and/or musical talent. Both job-in and full-season openings are available in Equity and non-equity theatres, college-based theatres, repertory companies, Shakespeare festivals, Renaisance festivals, outdoor dramas, music theatre, touring companies, children's theatre, diner theatre and intern/apprentice programs.

Approximately 700 of over 1000 applicants are given appointments for a live audition.

Only highly experienced, well trained performers should apply for an audition slot.

The New England Theatre Conference is a non-profit organization dedicated to providing its members with professional services, career development, and recognition awards in the live theater arts.

Serving Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island and Vermont, NETC proudly supports quality theatre and promotes excellence in all divisions of theatre.

A recognized voice for practitioners in youth, secondary, university, community and professional theatre, NETC continues to expand its support of New England theatre in addition to nurturing and promoting new theatre activity.


New Jersey Theatre Alliance

http://www.njtheatrealliance.com
163 Madison Avenue, Suite 500
Madison, NJ 07960
Ph: 973-540-0515
Fx: 973-540-9799
mailto:mroig@njtheatrealliance.org

Application Deadline: Mid June
Audition date: August

The NJTA is an alliance of professional, Equity theatres. The audition slots are selected by lottery. Equity and non-equity actors may apply.


Ohio Theatre Alliance Auditions

Franciscan University
English/Drama
1235 University Blvd
Steubenville, Ohio 43952
740-283-6245 (ext. 2121)
sdougherty@franuniv.edu
http://www.ohiotheatrealliance.org

Application Deadline: Mid January
Audition Date: Early February
Fee: Approx. $35

Open to Equity and non-equity performers and students, 18 years or older. Positions available include summer, year-round, paying and non-paying, graduate/training programs, apprenticeships, internships, touring groups, children's theatre, outdoor drama, summer stock.


National Outdoor Drama Auditions

Institute of Outdoor Drama
CB #3240 1700 Airport Rd.
University of North Carolina
Chapel Hill, NC 27599-3240
Ph: 919-962-1328
Web Address: www.unc.edu/depts/outdoor/auditions
Application Deadline: Early March
Audition Date: Mid March
Fee: $30

You must be at least 18 years old to audition. You must have previous experience in theatre and be available for a nine- to 12-week commitment during the summer, including two weeks of rehearsal.

Outdoor dramas are epic plays performed in scenic, expansive amphitheatres across the country. Big, bold, and well defined are the operative terms for these shows. They tell the story of a dramatic historic event or represent the life of an historic figure through music, dance and theatrical spectical. The casts are large and need good acting, singing and dance skills. Performers with stunt, stage combat and horseback skills are needed as well.

Typically, 150-200 auditionees from 50 or more colleges and universities in 20 states vie for jobs offered by 15-20 theatres in attendance from around the country.

Positions pay in the range of $150/week - $500/week ($200 - $300/ week seems average) depending on the theatre company and position held. Worker comp insurance, housing and some meals are often times included in the compensation plan.


Portland Area Theatre Alliance

PATA's City-Wide Auditions are held twice a year, in February and August. They are a great opportunity for actors, with one audition, to be seen by theatres, theatre companies, and independent directors, both film and stage. PATA provides the City-Wide Auditions to support our individual and theatre company members, but is not involved in the actual casting of shows.
Fee: Free to PATA members. Membership is $25 per year.

For details contact:
1017 SW Morrison Street, Suite 315
Portland, OR 97205
Ph: 503-241-4902
auditions@PATAweb.net
www.pataweb.net


Theatre Puget Sound (TPS) Unified General Auditions
Seattle Washington - Northwest states

Open to union and non-union, adult and young actors.

Theatre Puget Sound hosts general auditions twice a year (January or February and June.) Actors may audition only once per year at either the winter or summer auditions.

30 or more companies and producers watch 200 or more actors audition over three days in both winter and summer. The auditions are attended by both union and non-union regional and local theatres, as well as film producers, casting directors and talent agents.

Complete details on the TPS General auditions. Please see the web site before contacting TPS.

Theatre Puget Sound
P.O. Box 19643
Seattle, WA 98109
phone: 206-770-0370
fax: 206.441.7383
email: tps@tpsonline.org


Rocky Mountain Theatre Association

Summer Theatre Auditions
Western Wyoming College
P.O. 428/C-564
Rock Springs, WY 82902-0428
http://www.rmta.net

Application Deadline: Mid January
Audition Date: Early February
Fee: $70 - $85 (includes registration fee for convention and membership - which are required)


Sacramento Area Regional Theatre Alliance

Audition Date: March
Fee: Free to SART members. Annual memberships: $25-$40

Contact SART for details:
1901 P Street
Sacramento, CA 95814
Ph: 916-443-8229
Fx: 9l6-443-5431
E-Mail: sarta@sarta.com
www.sarta.com


Southeastern Theatre Conference

PO Box 9868
Greensboro, NC 27429-0868
Ph: 336-272-3645
http://www.setc.org

Auditions are for Equity and non-equity actors and dancers seeking professional, summer, full-time, paid positions with professional companies. Some apprentice positions also available.
Audition dates: Spring and Fall

To attain an audition slot you must:

  • be a SETC (Southeastern Theatre Conference) member
  • attend the spring conference
  • complete the registration form
  • NOT be enrolled in school
  • be available to work full-time
  • have worked professionally twice in professional companies
  • list credits on the professional audition form
  • (if non-equity) have the form signed by a professional director who has directed applicant at a professional theatre

Fees: Approx. $55 (for student dancer) or $115 for professional adults
Fee covers SETC membership, conference registration and auditions
Conference meals and lodging fees are seperate
ONLY money orders or certified checks are accepted

Send ASAP for detailed audition information and application materials.


Southwest Theatre and Film Association

P O Box 2135
Denton, TX 76202-2135
Phone 940-239-7486
Fax 940-239-5159
e-mail - klechler@swtfa.com
http://swtfa.com

Professional auditions held in mid-February


StrawHat Auditions

http://www.strawhat-auditions.com
PMB 315
1771 Post Road East
Westport, CT 06880

When? Late March
Where? New York
Registration Fee: Approx. $50
Application Deadline: February

Open to: Non-equity actors, 18 or older, looking to start and continue their professional careers in the theatre. Dancers Singers Actors. All types, sizes, genders, nationality. All skills.

Most auditions are for summer stock theatres although some regional theatres also attend and can offer year-round opportunities. Around 500 performing positions are generally available.

Looking for actors to fill roles in plays and musicals, representatives from more than thirty theatres across the country attend the audition. Applicants are screened. This is a very competative process. All accepted applicants have their picture and résumé published in the StrawHat National Resource Book   which is distributed to all the attending theatres. Applicants who are not selected or are unable to audition can also be included in this publication for a small fee.


Theatre Alliance of Michigan

Statewide Professional Theatre Auditions
Box 726
Marshall, MI 49068
http://www.theatreallianceofmichigan.org


Theatre Alliance of Greater Philadelphia

www.theatrealliance.org

Each June, the Theatre Alliance coordinates an open-call audition with local actors for its full and associate members. This program serves two purposes: it may fulfill the Actors Equity requirement to hold open auditions each year, and gives local actors the opportunity to be seen by over 100 theater professionals at one time. These auditions are instrumental in helping member theaters cast their shows for the upcoming season and save our Equity theaters the expense and hassle of organizing their own annual open-call.

Proof of residency in the Greater Philadelphia region is required to audition. Your local address must be within a 50-mile radius of Center City Philadelphia, with a phone area code of 215, 267, 610, 484, 609, 856 or 302.

Audition Date: June
Application Deadline: February

Contact the Alliance for details:
Phone 215-413-7150
fax 215-413-7155
email info@theatrealliance.org


Theatre Auditions in Wisconsin

721 Lowell Center
610 Langdon St.
Madison, WI 53703-1195
Ph: 608-263-6736
http://www.dcs.wisc.edu/lsa/theatre/auditions.htm http://www.dcs.wisc.edu/lsa/theatre/auditions.htm

Registration Deadline: End of January
Audition Date: Early February
Fee: Approx. $16.00 - $35.00

Open to Equity, non-equity and student performers. Positions offered include full-time, part-time and summer work, paid and un-paid in professional theatre, children's/youth theatre, touring groups, graduate training, outdoor drama, musical and non-musical theatre and intern/apprentice programs.

Audition slots fill quickly. Apply ASAP.


Theatre Bay Area General Auditions

657 Mission St. Ste.402
San Francisco, CA 94105
Ph: 414-957-1557
Fx: 415-957-1556
TBA on-line application form

Application Deadline: Mid December
Audition Dates: Late February
Open to: All Equity AND non-equity actors.

Non-equity actors must be TBA (Theatre Bay Area) members.
Membership fee: Approx. $40/yr.
Deadline to join or renew membership is Mid December. Non-equity actors must also fulfill one of the following:

  • Have accumulated the equivalant of one year of full-time acting training
  • Be an Equity Membership Candidate (contact Equity to find out about the Membership Candidate program)
  • Performed in at least 6, non-school, stage productions

Send application, membership/renewal application form and fee (unless you are a current, paid-up member), headshot, résumé and proof of equity membership (if applicable)
An incomplete application packet will automatically disqualify the applicant!

Applications will be evaluated by a screening panel composed of Bay Area casting and theatre directors. Qualified applicants will be entered in a lottery drawing for audition slots. All applicants will be notified by early February whether or not they received an audition slot.

Actors of color, physically challenged actors, actors under 18 years or over 50 years are actively encouraged to apply.

These auditions are extrememly competative. Hundreds of applicants do not get slots. Apply ASAP.


Twin Cities Unified Theatre Auditions

http://www.tctheatreandfilm.org/unifieds.html

Application Deadline: Slots fill quickly, submit early
Audition Date: Early March
Fee: Approx. $15

Open to Equity and non-Equity performers, 18 years or older.
This is a professional audition. You should not audition if you have never auditioned for something before or if you are not confident in your selections.

See web site http://www.tctheatreandfilm.org/unifieds.html for all the details.
Email an electronic copy of your résumé and headshot to:
darcy@climb.org
or mail to:
TCUTA
6415 Carmen Avenue East
Inver Grove Heights, MN 55076

Include your Name, Phone number, and email address and indicate whether you would like to be called or emailed with your confirmation.

You will receive an email or phone call (based on your preference) telling you your registration code. This code will allow you to register online for the auditions.

If you want to pay by check, submit the check for $15 with your résumé headshot. Or you can pay by Credit Card/Debit Card on-line.

NOTE: If you want to have your headshot scanned for you, please send an additional $10. You will receive a CD with a copy of the scanned headshot at the audition.

Complete the On-Line Registration Form found on the Unifieds Login Page (you will need to have received a registration code before you can access the On-Line Registration Form.

Make sure you fill in ALL the information! This includes uploading a copy of your Headshot.

Include your Name, Phone number, and email address and indicate whether you would like to be called or emailed with your confirmation.

IF YOU HAVE QUESTIONS please call (651) 453-9275 Ext.24. Leave a message and a staff member will get back to you promptly.
For a quicker reply please e-mail Darcy at: darcy@climb.org


Unified Professional Theatre Auditions

http://www.upta.org

Playhouse On The Square
51 S. Cooper St.
Memphis, TN 38104
Ph: 901-725-0776
Fx: 901-272-7530

For performers seeking paid year-round positions, paid internships, paid job-in employment

Deadline Date: End of December
Audition dates: Early February
Fee: approx. $20 - $30

To audition you MUST be available for employment throughout the year not just the summer and not planning on returning to school. You must also meet at least one of the following:

  • have a post-graduate theatre degree
  • have your registration signed by a registered UPTA (Unified Professional Theatre Auditions) theatre
  • have your registration signed by a Theatre Communications Group (TCG) member theatre
  • have attended previous UPTAs
  • be a member of Equity or of the Equity Membership Candidate Program

Contact UPTA for detailed audition information and application.


University/Resident Theatre Association (U/RTA)

National Unified Auditions
1560 Broadway, Ste. 414
New York, NY 10036
Phone (212)221-1130
Fax (212)869-2752

  • Can get application on-line.
  • Application Deadline: Late November
  • Application fee of $70.00
  • All acting applicants must attend a screening audition.

These auditions are designed for graduating, degree candidates who are seeking advanced study through Graduate school.
Several hundred positions are offered annually primarily through acceptance in MFA graduate programs. Casting opportunities are also available in Shakespeare Festivals, resident theatre companies both on and off campus and various seasonal activities.

The Master Audition Programs (MAPS) is for Master of Fine Arts candidates about to graduate, or who have graduated in the preceding two years. Graduation from an U/RTA member program is required. Select graduates will audition for casting directors, agents and other representatives from participating professional theater organizations.

Call or write ASAP to get detailed information and application.


Check back once in awhile. More audition opportunities will be added periodically.


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